Foreword: Fieri Iussit
This foreword is a confession. In here I want to tell you three things:
- This book is a derivative work of art,
- What you read in here is not true,
- I didn't write it.
If any of these items turn you off, I apologize and ask you to find literature that better fits your preferences.
You have been warned.
Violently Derivative
This book is violently derivative. It depicts my own observations, experiences and reflections, but many components of the concepts in here are not new. They have been used in other places for years.
Several of the practical mechanics introduced in later chapters of the book are heavily inspired by the EOS - the Entrepreneur Operating System - that has spawned a school of consultancy and taught thousands of entrepreneur better ways of running their businesses.
Many of the concrete ways to build Golden Paths (if you haven't run off screaming by now and stick to it, you'll read more about them in many of the chapters to come) are proudly stolen from companies like Netflix and Spotify.
Even the subheading to this foreword, and its implications, were snatched off a recent LinkedIn post by Ethan Mollick, professor of Entrepreneurship at Wharton.
If you think about it, being original is pretty difficult. Across several thousands of years, billions and billions of people have walked this planet. All of them have had thoughts, all of them have left some mark behind, and the vast majority have had the opportunity to be creative in some way. Coming up with a truly unique idea is becoming... challenging. And to tell ourselves otherwise is just plain self deception.
Throughout history, some of the world's most renowned creators have blatantly stolen from other sources. If you know the story behind the original Star Wars movie, you know that George Lucas was heavily inspired by Errol Flynn and the matines he used to go to as a child. Once you know this and watch the film again, the experience is very different and virtually littered with "aha!" moments.
What made Lucas and Star Wars interesting, was not that he had created something that in its components was original, but that he combined them in new ways and placed them in a context we hadn't really seen before.
Not aspiring (at this point in time) to be George Lucas, this book is not set in a galaxy far, far away, but it does share that trait with Lucas' creation - this book is a child of its time. It is inspired by great women and men that came before it, and it puts battle tested pieces of organisational design and mechanics in the context of an unprecedent era. It tells the story of how to apply these mechanics in the age of agents and generative AI.
No self respecting consultant would reuse vernacular however, so many concepts are renamed and tweaked to fit the framework. I believe that this serves practical purpose beyond stroking my own ego - I think that words carry power and that with a consistent terminology it will be easier to implement these ideas into an organisation context. That said, I am not claiming to have invented them, but by jove, I will put my finger prints all over them none the less!
On artistic liberties
This book is littered with anecdotes and stories from inside organisations. Throughout these pages, you'll encounter several types of examples:
Named company examples: Where specific companies like Moderna, GSK, or Gilead are mentioned, the information comes from publicly available sources—earnings reports, press releases, published studies. These are as factual as public information allows.
Composite portraits: Characters like "Dr. M" or "Sarah from Clinical Operations" represent amalgamations of patterns I've observed across dozens of real people in similar roles. They're not one person, but they're everyone. Any resemblance to specific individuals is coincidental—though if you recognize yourself, you're probably not alone.
Hypothetical scenarios: Clearly marked projections of what's possible when velocity principles are applied. These paint the picture of potential futures based on current trajectories.
Complete fabrications: Some stories are entirely made up to illustrate a principle.
"Eh, what?", you ask, with some right. When you read a book that doesn't explicitly exclaim "fiction" on the cover, you do expect and deserve a degree of factual correctness. That, my friend, is however not the point of this book.
What you hold in your hand (or read on your screen) is no more, nor less than an allegory of the trials and tribulations of life in a biotech environment. The purpose of the stories and anecdotes told is not to give accurate accounts, but to illustrate and illuminate the points of the concepts presented.
I dare say that across the book, the artistic liberties are relatively minor, and the stories do reflect events as they unfolded accordingly in most cases, but held at gunpoint I wouldn't claim any of it as precise or accurate. Such is the nature of memory, story telling and the power of ideas.
Instead, I want you to enter this book in the mindset of someone preparing to read a fable. A big fan of Aesop since the age of four, I imagine that clin ops director as a bear, the cunning marketing director as a fox and the poor CEO as a rabbit (not flattering in any instance, I know, but this is how my brain works). I encourage you to take these stories, not as literal, but as learnings—tales that emphasise the real world importance of what you are reading within these pages.
And don't ask me about them afterwards...
What about that latin quote?
Ethan Mollick recently came with this wonderful little tidbit (I strongly recommend you follow him on your favourite social media-he's a phenomenal interpreter of the state of generative AI).
The Romans, as I am sure you are aware, operated a huge, sprawling empire for a thousand years. Pretty impressive if you ask me.
The Emperor's will was carried out across the realm, and when it manifested in a building construction, that building was inscribed with "Fieri Iussit"-"commanded to be made".
Never in human history has this quote become more relevant than today. Through the aid of generative AI, millions, and millions of people command things to be made every minute. Ethan's suggestion was to label AI generated works with this phrase to signal its origin.
Obviously tongue in cheek, Ethan is very pragmatic and clearly understands the limitations of this particular approach without anyone explaining it to him, the idea was incredibly appealing to me and I want to stamp it all over this book.
I started writing about my Velocity Framework (not knowing that's what I was writing about) a few weeks ago. I did it as a series of LinkedIn articles - short and (hopefully) to the point. Then yesterday morning I thought "I should turn this into a book".
This was in the middle of a company recap, we had two significant software launches the same week and I was preparing for chairing our innovation day during our European Milestone meeting in Prague a couple of days later.
I turned to my trusty Claude Code, fed it my material and an instruction of what I wanted, and while I was making PowerPoint presentations, debugging code and entertaining dinner guests, Claude churned away in the background.
After our guests had left in the evening I sat down and started reviewing my new book. At 22:30 the first draft was finished.
Total time spent: 2.5 hours - Total pages: 561
This book's creation is as much a testament to its purpose, as its content is.
Out of the entire book, this foreword is the only part I've actually hand-crafted myself, yet I willed the rest into existence, it carries my ideas and it speaks, very closely, in my voice.
To many people this is controversial in a way that having Walter Isacsson write it for you would not be. Yet it is an incontrovertible fact that not just I, but practically the whole world have now been blessed with their own professional ghost writer, physician, lawyer, programmer or expert in almost whatever field they would choose.
Do you understand what that means?
No, you don't.
I don't.
No one does.
The one thing we can understand is that this means things are about to radically change, and that we need to prepare ourselves for that change.
That's one reason I wrote this book. Continue reading and you'll learn about some of the others soon.